The Lone Ranger and Tonto Fistfight in Heaven is a novel by Sherman Alexie comprised of many short stories explaining the culture of the Spokane Indians. Alexie uses humor to allow for the novel to be more enjoyable. Some say that Sherman Alexie’s use of humor is a way of depicting the Native Americans in a negative way. Critics argue that it is demeaning and offensive to many people of Native American decent. The articles found below are about the white people’s depiction of Native American culture relating to The Lone Ranger and Tonto Fistfight in Heaven. They are about the different ways that Sherman Alexie uses humor to incorporate an understanding of Native American culture and the Spokane tribe in his novel. The “white” depictions in the novel are that the Indians are drunken and very lazy people. There are even some critics that have said they are presented as people with no purpose and people to be laughed at. The story in the novel, “Amusements” does not help this argument at all because it is about a man who was drunk and his friends put him on an amusement ride and watched him roll around on the ride while people laughed at him. I do not believe that Alexie did this to makea claim that Indians are just a bunch of drunks. He thought that it was humorous so he decided to write about it. These articles give a great outlook on the different ways of looking at The Lone Ranger and Tonto Fistfight in Heaven.
Dix, Andrew. “Escape Stories: Narratives and Native Americans in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven.” The Yearbook of English Studies 31. (2001): 155-167. JSTOR. Ohio University, Alden Lib. 17 May 2009.
This article is an argument that that The Lone Ranger and Tonto Fist Fight in Heaven is actually a story of many different voices including Sherman Alexie’s own. It is an article comparing the works of Sherman Alexie’s The Lone Ranger and Tonto Fist Fight in Heaven and Leslie Marmon Silko’s Storyteller. It is explained that the the authors have a different way of conveying their culture to one another. Silko is more constant and Alexie’s is more controlled. Dix claimed that Alexie’s works are incomplete and unfulfilled. Dix also claims that Alexie’s short stories are pretty suggestive because of the fact that he chooses to use short stories instead of an entire story. He goes on to compare the two big characters in the stories, Thomas-Builds-the-Fire and the woman in Storyteller. He comments on the fact that Alexie’s novel was categorized as a social embarrassment. The story is now a controversy between the white and Native American disposition. Dix talks of the value of the culture in “A Drug Called Tradition.” This story helps explain the traditions of the Spokane tribe.
Carroll, Kathleen. “Ceremonial Tradition as Form and Theme in Sherman Alexie's The Lone Ranger and Tonto Fistfight in Heaven: A Performance-Based Approach to Native American Literature.” The Journal of the Midwest Modern Language Association 38 (2005): 74-84. JSTOR. Ohio University, Alden Lib. 17 May 2009.
This article by Kathleen Carroll speaks of how students read about the white depiction of Native Americans. She talks of how a person must be careful when watching the movie because it focusing more on an individualistic nature instead of a group or tribe. She claims that the idea of American writers is to try and reestablish and new tradition of learning and to try and unlearn a certain stereotype about different cultures or people. Carroll says that The Lone Ranger and Tonto Fist Fight in Heaven is a way to overturn the white stereotype of the Indian and get their heritage back. She discusses the graphics of the cover of the novel and explains what everything means and I did not realize that everything on the cover represents something else. She explains that the orange color and the fire represent the burning of the Indians by the white people. Carroll speaks of the story of “The Trial of Thomas Builds-the-Fire and claims that it draws the Indians to tears. This article predominately speaks of the different short stories in the novel and how they relate to the “white” descriptions of the Spokane tribe.
Slethaug, Gordon. “Hurricanes and Fires: Chaotics in Sherman Alexie's Smoke Signals and The Lone Ranger and Tonto Fistfight in Heaven." Literature Film Quarterly 31. (2003): 1-13. EBSCOhost. Ohio University, Alden Lib. 17 May 2009.
This article speaks of the ways to depict Native Americans in both The Lone Ranger and Tonto Fistfight in Heaven and “Smoke Signals.” The film gives a very serious feel to the book. In comparing the two, a person starts to feel very sorry for Thomas Build-the-Fire in the movie more than in the book. Both the movie and the novel have a feeling of humor and enjoyment but the film makes a person feel bad for Victor and Thomas. This article speaks of the importance of weather in both the novel and the book and shows how nature and weather are very important in the Spokane tribe and for most Native Americans. Slethaug speaks of the significance of “Every Little Hurricane.” He speaks of how the hurricane represents everything that when on in the New Year’s party including his two uncles fighting and his parents passing out from alcohol. Slethaugh also speaks of the story “The Only Traffic Signal on the Reservation Won’t Flash Red Anymore.” He speaks of the different ways that this story depicts the reservation in a good way.The significance of the Fourth of July is important in the novel because it is said that Indians don’t even celebrate it but they have taken up the “white” holiday.
Evans, Stephen. “Open Containers": Sherman Alexie's Drunken Indians.” American Indian Quarterly 1. (2001): 46-72. JSTOR. Ohio University, Alden Lib. 17 May 2009.
This article, like many of the others, speaks of the struggles Native Americans face in the eyes of a white man. Evans praises Sherman Alexie for his ability to write about difficult times and do everything from sad to heroic pieces of work. Alexie was the target of fire for many critics when The Lone Ranger and Tonto Fistfight in Heaven came out because of his use of irony in the novel. Evans says that Alexie brings hopes of change into his writing and pieces of work. He brings his life into the stories and things that he has been through and makes his audience feel the things that he has felt. This article also speaks of the humor that Alexie brings to his novels. If possible, Evans talks about the strengths he brings to his drunken Indian depiction. It shows the honesty in his work and the realism associated with The Lone Ranger and Tonto Fistfight in Heaven. Alexie confronts the reader and makes them feel the story he is conveying.
Armbruster-Sandoval, Ralph. “Teaching Smoke Signals: Fatherhood, Forgiveness, and "Freedom".” Discussion In Education 23. (2008): 123-146. EBSCOhost. Ohio University, Alden Lib. 18 May 2009.
This article focuses on the film “Smoke Signals” that derived from The Lone Ranger and Tonto Fistfight in Heaven. Armbruster-Sandoval speaks of forgiveness in the movie. He speaks of how Victor had to forgive his father and the relationship between Thomas Builds-the-Fire and Victor’s father, Arnold Joseph. It then brings up the problems of the United States and Native Americans. Armbruster-Sandoval asks the question of whether or not Alexie is suggesting that the Native Americans forgive America for the conquest. The problem facing Arnold Joseph in Smoke Signals is that when his wife tells him there is no more alcohol he storms out thinking that he does not have a problem. He hits her first which also suggests that he has a problem. The article talks about how Arnold had started the fire that killed Thomas’s parents and how he could not recover from this accident. At the end of the movie, Victor spreads his father’s ashes and screams in pain that he must forgive his father.